The Venice Biennale 2017 is held on May 13 in Venice. In this armory exhibition area, Belgian architect and artist Cédric van Parys used the works “Progress Monument” designed by UnionTech SLA 3D Printer as the highlight of this year’s Shanghai Design Week.
“Progress Monument” is a form of high-rise buildings in Shanghai at the top of various forms of structure. The artist Cédric van Parys hopes to show Shanghai’s past, present and future through these ever-changing “monuments.”
Cédric van Parys finds typical buildings in this area of Shanghai’s various administrative districts. Through multiple angles of shooting, a detailed record of each building’s top appearance structure. And the use of modeling techniques, 3D printing technology and manual way, the roof structure of these buildings placed in the imagined natural geographical environment.
Due to Cédric van Parys’s predictive model has a strong sense of space and sense of line, with 3D printing can overcome the traditional art in the production of art more than enough, such as deformation, collapse, cracks, dry and other details. With 3D printing technology, the design concept of the artwork is very easy to modify and perfect after digitization. The modified data of the computer can be immediately reappeared on the original printing equipment, which greatly simplifies the original and repetitive creation and modification process, the design process is more efficient, Ideal for Cédric van Parys’s design philosophy of “progressive monument.” As designer Cédric van Parys himself said: “The reason I use 3D printing is because only 3D printing can produce the details of my production requirements, can help me achieve the details of 0.3mm processing. Have to say that 3D printing The effect is good. ”
In order to ensure the final result of the work, Cédric van Parys selected UnionTech, the best 3D printing company in China, after careful screening. Due to the high precision of UnionTech’s SLA 3D printing equipment, the surface and inner quality of the objects can be better generated. Not only can make the surface of printed objects smooth and delicate, more able to meet the needs of complex shapes.
With UnionTech’s 3D printing equipment, Cédric van Parys is well positioned to shape his Progressive Monument. In pursuit of the surface quality of the work, UnionTech Lune Technologies also carries out a high-quality surface finish painting of the Progress Monument to make the monument’s surface clear.
In recent years, 3D printing technology is allowing more artists to turn their own inspiration into reality, leaving the form of art out of the shackles of technology. And that’s what UnionTech Lutron expects. As a leader in the domestic 3D printing industry, UnionTech hopes to provide reliable products and perfect solutions to all the customers who dream of it, and use technology to support them to realize all their ideas and ideals.
Conclusion:
The inspiration of art itself is not bound by any form, the only form of expression that binds art. In the past, artists often encountered problems that could not be turned into inspiration, especially in the field of three-dimensional artworks such as sculptures. Now, with the mature 3D printing technology, this obstacle will be broken. Artists will have a stronger ability to capture inspiration and bring their artwork to the extreme.
